Overwatch 2 Sounds Like Full-Priced DLC
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Writer Mitzi Date Created26-04-11 03:28관련링크
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| Country | France | Company | Mitzi & Mitzi Consulting |
| Name | Mitzi | Phone | Mitzi Fryman mbH |
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| Subject | Overwatch 2 Sounds Like Full-Priced DLC | ||
| Content | And that brings us back to the question of __ whether Overwatch 2 needs to exist, or if it's just one giant Activision-endorsed cash grab. While the story mode is enticing, these missions could have easily been added into the base game as DLC. Many players would have gladly paid $20 or $30 to play through a cinematic adventure with Tracer and company, but instead, we're getting a new game that will likely be priced at the same level as other triple-A releases. This means if you want to see the journey of Overwatch's revival you're going to have to pony up $60, and that doesn't feel justifia Don’t get me wrong - I don’t mind that there’s an Overwatch 2. Hell, I don’t even give a shit that it’s a free-to-play nightmare that’s going to be dominated by kids with rich parents. I work in show business - the entire world is dominated by kids with rich parents. And I respect that in order to keep their esports racket fresh, Blizzard creates new Overwatch content just like how their professional players create new racial slurs. No, Blizzard and Google aren’t required to keep their services online. No, this isn’t the first time a major corporation has opened a trap door under a game and made it disappear forever. And, yes, Google refunding people is a pleasant surprise. But in both cases, these are broken promises to fans who paid for something. Overwatch was hugely successful. Stadia was made by a company so large it’s nearly impossible to not use their services in one form or another. These aren’t broke kids - they’re not even Square Enix spinning out because one of their best-written, critically-acclaimed games didn’t do Final Fantasy numbers . Overwatch’s corporate identity was clear to see through its diverse cast and clear attempts at inclusion, made worse by queer characters who were never given any strong narrative within the world itself. On the surface it was a bold statement, but dig any deeper, and you were left wanting so much more as Blizzard chased demographic approval. Its universe had so much potential for excellent stories and worthwhile sociopolitical commentary, but this clear ambition was brushed aside as the years went on in favour of recycled seasonal events and development of a sequel that is only now lumbering towards the finish line. I once looked up to Overwatch, but now I can’t help but view its failings and cynical business practices for what they really are. I still love so much about it, and the warm memories it brings to the forefront of my mind are clear proof that Blizzard struck gold with this one. |
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